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You are at:Home»News»Iconographic Echoes: Bridging Tradition and Modernity in Indian Art
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Iconographic Echoes: Bridging Tradition and Modernity in Indian Art

September 8, 20233 Mins Read
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Iconographic Echoes
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In a captivating display of artistic brilliance, five accomplished artists from diverse corners of India have converged to present the exhibition titled ‘Iconographic Echoes’ at Apparao Galleries in Nungambakkam. This exhibition is a profound exploration of the interplay between traditional iconography and contemporary artistic expression, highlighting how heritage intricately shapes the world of modern art.

The exhibition features the works of five exceptional artists: Ravinder Dutt, N Ramachandran, Sitikanta Samantsingha, Madan Meena, and Srinivasa Reddy. Each artist brings a unique perspective, drawing inspiration from their cultural backgrounds and personal experiences, making ‘Iconographic Echoes’ a testament to the diversity of India’s artistic landscape.

Sitikanta Samantsingha, hailing from the rural village of Alugaon near Chilika Lake in Odisha, stands out with his profound commitment to addressing social and ecological issues. His work is a visual dialogue that delves into the politics of sustainability, reflecting his deep-rooted philosophy of compassion and understanding. Samantsingha’s art is heavily influenced by the challenges faced by migrants, both human and avian, at Chilika Lake. He artfully combines traditional and contemporary elements, making a poignant commentary on contemporary societal, political, and environmental issues.

Srinivasa Reddy’s ‘Vahana’ series is another noteworthy highlight of the exhibition. Reddy, who experienced a diverse range of influences growing up in an ashram and studying in urban centers like Bengaluru and Chennai, draws inspiration from traditional rituals. His artwork captures the unique perspective of merging the traditional role of vahana carriers with the middle-class villagers who have migrated to cities for work, creating thought-provoking compositions.

Ravinder Dutt, another luminary in this exhibition, considers himself a time traveler in the realm of art and existence. His artistic journey is a tapestry woven from diverse family origins, spanning Lahore and Kashmir. Dutt’s work is a celebration of existence itself, blending elements from the Mughal, colonial, and contemporary eras. Through age-old iconography, he unveils hidden meanings of the present, effectively bridging the traditions of the past with the technology of the present.

Speaking about his work, Dutt emphasizes the importance of traditions in shaping our identity, saying, “We should never forget our roots – our traditions are what make us what we are today. It is our traditions that form the core of anything that we do, and the same goes for art.”

In today’s digital age, the accessibility of information has made it easier for people to explore and appreciate India’s rich history, art, and traditions. Artists and cultural organizations are actively working to promote India’s cultural heritage in innovative ways, using mediums such as art exhibitions, performances, digital platforms, and educational programs to engage a broader audience.

‘Iconographic Echoes’ is a testament to the enduring power of art to transcend time and bridge the gap between tradition and modernity. This exhibition is a must-visit for art enthusiasts and anyone interested in experiencing the vibrant cultural tapestry of India through the eyes of these talented artists.

Apparao Galleries Cultural Heritage Iconographic Echoes indian art Indian artists tradition and modernity
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Previous ArticleExploring Human Complexity: Bogdan Dide’s Figurative Artistry in Portugal
Next Article Arindam Biswas: Bridging Traditions and Modernity in Indian Art

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